
Count Basie
Rights position
| Company | Relationship | Ownership classification | Status | Verification | Source |
|---|---|---|---|---|---|
| Primary Wave Music | listed in artist directory | artist association only | current | verified | directory page |
“Artist association only” is the accurate classification for a directory listing. No composition or recording of this artist has a documented Primary Wave publishing or master ownership interest in the supplied dataset, and SPEC §10 forbids inferring one from the relationship.
Biography
Jazz icon, Count Basie, was born William James Basie August 21, 1904 in Red Bank, New Jersey. Count Basie is considered one of the greatest bandleaders of all times. He was the arbiter of the big-band swing sound and his unique style of fusing blues and jazz established swing as a predominant music style. Basie changed the jazz landscape and shaped mid-20th century popular music, duly earning the title “King of Swing” because he made the world want to dance. A native of Red Bank, Basie was a towering figure in the world of jazz, renowned as a pianist, composer, and big band leader, and recognized as the first Black artist to win a Grammy award in 1958. “Count Basie is one of the most important figures in both jazz and American music of the 20th -century,’’ said Wayne Winborne, executive director of the institute. “His impact and influence as a bandleader and purveyor of hip swing cannot be overstated.’’ Today, The Count Basie Orchestra continues under the direction of trumpeter Scotty Barnhart. William James “Count” Basie (1904 – 1984) was an American jazz pianist, organist, bandleader, and composer. Basie started in the arts at a young age after dropping out of school. He soon learned to operate lights for vaudeville shows and improve accompaniment for silent films in Red Bank, New Jersey. By this time, he was committed to playing piano exclusively, having previously been a drummer as well. Basie moved from New Jersey to Harlem where we reconnected with a childhood friend, Sonny Greer, the drummer in Duke Ellington’s band. Harlem was a hotbed for jazz and provided Basie the opportunity to connect with the greatest jazz musicians of the time. Basie joined Bennie Moten’s band in Kansas City and played with them until Moten’s death in 1935. He also played piano and co-arranged with Eddie Durham. “Moten Swing,” credited to Basie, is widely acclaimed and was an invaluable contribution to the move towards a freer form of orchestral jazz and the development of swing music. In 1935, Basie formed the Count Basie Orchestra, which he led for nearly 50 years. This orchestra is credited for creating innovations like the use of two “split” tenor saxophones (most bands had only one), emphasizing the rhythm section, riffing with a big band, and using different arrangements to broaden their sound. Many of the members of his orchestra grew to prominence due to his direction. Basie also showcased some of the most notable blues singers of the era including Billie Holiday, Jimming Rushing, Big Joe Turner, Helen Humes, and Joe Williams. His most notable songs, including “Jumpin at the Woodside” and “One O’Clock Jump,” will forever live on as some of the most well-known jazz standards ever created. Basie has won nine Grammy Awards and four of his compositions (“Lester Leaps In,” “Everyday (I Have the Blues),” “April in Paris,” and “One O’Clock Jump”) have been inducted into the Grammy Hall of Fame. Notably, Count Basie was the first African-American male to receive a Grammy award. In 1985, President Ronald Reagen posthumously awarded Basie with the Presidential Medal of Freedom. In addition, the National Recording Preservation Board in the Library of Congress included Basie’s “One O’Clock Jump” into the Nation Recording Registry. Visit the official website for Count Basie at www.CountBasie.net
Short biography only; no full biography is published for this artist.
Digital profiles and identifiers
| Scheme | Value | Confidence |
|---|---|---|
| Publisher profile | https://primarywave.com/artists/count-basie/ | high |
| Spotify playlist | 2nFUWEbphFbjGU6rUlirsG | high |
No MusicBrainz, Discogs, IPI, ISWC or ISRC identifier is present for any artist in this dataset. Those schemes exist in the schema and are unpopulated.
News mentions 12 posts
| Date | Title | Matched by | Confidence | Words |
|---|---|---|---|---|
| 2024-10-25 | New Count Basie Website Launches: Celebrating the Legacy of a Jazz Legend We are excited to announce the launch of the newly revamped website dedicated to the legendary jazz musician, Count Basie. The new site for CountBasie.net offers a comprehensive resource for fans and newcomers alike to explore Basie’s incredible contributions to jazz music, his life story, and his ongoing influence on the […] | tag+title | high | 166 |
| 2023-07-27 | Blue & Sentimental Official Music Video Is Out Now! Blue & Sentimental official music video featuring Larkin Poe from the Late Night Basie tribute album is out! Click here to watch. | tag | high | 22 |
| 2023-03-10 | OUT NOW – Late Night Basie – “St. Thomas” – The Soul Rebels Ft. Cimafunk, Nicholas Payton & Weedie Braimah Late Night Basie – “St. Thomas” The Soul Rebels Ft. Cimafunk, Nicholas Payton & Weedie Braimah The Soul Rebels, Nicholas Payton, Cimafunk, and Weedie Braimah Channel Count Basie’s Big Band-Meets-Caribbean Sound On A New Version Of “St. Thomas” From the upcoming celebration of Count Basie, Late Night Basie; Out April 7th via […] | tag | high | 1,190 |
| 2023-02-07 | Late Night Basie (Tribute Album) – “Didn’t You” by Lettuce (feat. Talib Kweli) out now! A New Celebration of Count Basie The spirit of Basie lives on in the swingin’-est, most surprising musical collaboration this side of late-night Featuring Terence Blanchard, Talib Kweli, Lettuce, Nicholas Payton, Cimafunk, Larkin Poe, The Count Basie Orchestra, and many more Late Night Basie Out April 7th via […] | tag | high | 1,232 |
| 2021-08-23 | LIVE AT BIRDLAND BY THE COUNT BASIE ORCHESTRA SET FOR RELEASE ON CANDID RECORDS SEPTEMBER 17, 2021 Candid Records is pleased to announce the release of LIVE AT BIRDLAND by the legendary Count Basie Orchestra under the direction of Scotty Barnhart on September 17, 2021. The two-album set was recorded “live” at the iconic jazz club which Basie called his musical home in January of 2020 and […] | tag+title | high | 1,025 |
| 2020-12-15 | Downbeat – Danny Jonokuchi & The Revisionists Win Inaugural Count Basie Contest Musicians who are selected to judge a jazz competition often face an extremely difficult, painstaking task. But, according to vibraphonist Stefon Harris, that was not the case for the adjudicators of the inaugural edition of Count Basie’s Great American Swing Contest. “There was a clear-cut winner,” Harris said. “All the judges took a […] | title | medium | 1,066 |
| 2020-10-22 | 2020 marks a slew of album anniversaries for the jazz legend Count Basie! 2020 marks a slew of album anniversaries for the jazz legend Count Basie. Among them are Count Basie Jam Sessions at the Montreux Jazz Festival 1975, Count Basie Swings Joe Williams Sings, Count Basie Picks The Winners and On The Road. The current leader of the Count Basie Orchestra, Scotty […] | title | medium | 64 |
| 2020-09-11 | Count Basie’s Documentary Through His Own Eyes’ – Available Now It’s finally here: Count Basie’s Documentary told through his own words. ‘Count Basie: Through His Own Eyes’ will be available exclusively on digital formats TODAY via Eagle Rock Entertainment. The documentary film is now available on iTunes and Amazon Prime Video: https://eaglerock.lnk.to/CountBasieTHOE | title | medium | 42 |
| 2020-09-10 | Are You The Next Big Jazz Artist? – The First Ever Count Basie Great American Swing Contest Launches Today! With an Esteemed Panel of Judges including Branford Marsalis, Christian McBride and others Primary Wave Music Publishing and the Count Basie Estate are looking to foster the next generation of musical talent and have announced their first ever Count Basie Great American Swing Contest. Launching today, the contest is […] | title | medium | 616 |
| 2019-08-21 | Wishing the legendary Count Basie a happy birthday, who would’ve turned 115 today! Listen Now! | title | medium | 2 |
| 2019-03-07 | Count Basie Features in Hits Daily Double “THE ROOTS OF ROCK AND SOUL, SONG BY SONG: THE 1930S” Count Basie, “One O’Clock Jump” (Decca, 1937): This fusion of African-American sexuality with the polite sound of big band music—which, somehow, swung while the tuxedo-encased hips crowding the dance floor remained stiff, even as they did the Lindy past midnight—cracked open the door for the collision of black and white music. […] | title | medium | 132 |
| 2018-10-04 | PRIMARY WAVE MUSIC PUBLISHING ANNOUNCES THREE NEW PARTNERSHIPS AND ACQUISITIONS, COUNT BASIE, PETE WATERMAN, & KENNY LOGGINS! THE COMPANY HAS ACQUIRED THE MUSIC CATALOG OF THE LEGENDARY COUNT BASIE, HAS ENTERED INTO A LONG-TERM STRATEGIC PARTNERSHIP WITH AWARD-WINNING SONGWRITER PETE WATERMAN, AND WILL NOW REPRESENT THE MUSIC PUBLISHING CATALOG FOR GRAMMY AWARD-WINNING KENNY LOGGINS NEW YORK, N.Y. (October 4, 2018) – Primary Wave […] | title | medium | 768 |
“Matched by” and the confidence are carried through from the source extraction rather than flattened: a tag or tag+title match is high confidence, a title-only match is medium or low. A mention is not a transaction.
Associated repertoire (SPEC §22 category C)
| Embed | Type | Owner | Tracks in embed | Capture |
|---|---|---|---|---|
| Count Basie | playlist | Primary Wave Music | 9 | complete |
An embed evidences association with this artist. It evidences no ownership, administration or licensing of any recording in it.
| # | Track | Credited artists | Duration |
|---|---|---|---|
| 1 | One O'Clock Jump | Count Basie | 3:02 |
| 2 | Jumpin' At The Woodside | Count Basie | 3:10 |
| 3 | Taxi War- Dance | Count Basie | 2:46 |
| 4 | Jive At Five | Count Basie | 2:51 |
| 5 | Good Bait | Dizzy Gillespie, Count Basie, Tadd E.P. Dameron | 3:06 |
| 6 | Blue And Sentimental | Count Basie | 3:12 |
| 7 | Good Morning Blues | Count Basie | 3:14 |
| 8 | Goin' to Chicago Blues | Count Basie | 3:04 |
| 9 | Boogie Woogie (I May Be Wrong) | Count Basie | 3:14 |
No ISRC is held for any of these recordings, and none is linked to an underlying composition, because the dataset contains neither.
Identity and aliases
| Alias | Type | Confidence | Status | Method |
|---|---|---|---|---|
| Count Basie | source spelling | high | accepted | verbatim name as published in the Primary Wave artist directory |
A candidate alias is not used for matching until a reviewer accepts it. SPEC §12 forbids automatically merging low-confidence matches.