
Lucinda Williams
Rights position
| Company | Relationship | Ownership classification | Status | Verification | Source |
|---|---|---|---|---|---|
| Primary Wave Music | listed in artist directory | artist association only | current | verified | directory page |
“Artist association only” is the accurate classification for a directory listing. No composition or recording of this artist has a documented Primary Wave publishing or master ownership interest in the supplied dataset, and SPEC §10 forbids inferring one from the relationship.
Biography
Three-time Grammy Award winner Lucinda Williams confronts America’s socio-political chaos head-on with her forthcoming album World’s Gone Wrong (out January 23rd via Highway 20 Records). World’s Gone Wrong is a raw and unapologetic set of songs that were written and recorded with a sense of urgency during the spring of 2025. The album opens with the powerful title track, featuring Brittney Spencer, which speaks to the plight of the working class during these turbulent times, and the resiliency to move forward with the underlying plea of “come on baby we gotta stay strong” in the chorus. Throughout nine original tracks, Williams offers songs that do not just chronicle our times but challenge us to rise above them. A timely cover of Bob Marley’s “So Much Trouble In The World” features a captivating duet with the incomparable Mavis Staples. The bluesy “How Much Did You Get For Your Soul” revisits the spiritual reckoning of Williams’ celebrated 2020 release Good Souls Better Angel . “Freedom Speaks” is a soul-stirring anthem that personifies liberty as a voice rising against oppression and apathy warning us of the dangers of complacency in the face of injustice. The album closes with the deeply moving “We’ve Come Too Far to Turn Around,” featuring Norah Jones on piano and harmony vocals. The hymn-like track is rooted in struggle and redemption while acknowledging the challenge to maintain the fortitude and spiritual conviction needed when turning back is not an option. Jones’ and Williams’ emotive vocals blend seamlessly, offering a breathtaking finale to an essential work for these times. World’s Gone Wrong serves as a wake-up call and a battle cry, finding beauty, grit, and grace in a world on edge. The album reaffirms Williams’ place as one of the most vital and uncompromising voices in American music. World’s Gone Wrong was co-produced by Tom Overby and longtime Williams’ collaborator Ray Kennedy, who recorded and mixed the album at his Room & Board Studio in Nashville, TN.
Short biography only; no full biography is published for this artist.
Digital profiles and identifiers
| Scheme | Value | Confidence |
|---|---|---|
| Publisher profile | https://primarywave.com/artists/lucinda-williams/ | high |
No MusicBrainz, Discogs, IPI, ISWC or ISRC identifier is present for any artist in this dataset. Those schemes exist in the schema and are unpopulated.
News mentions 1 post
| Date | Title | Matched by | Confidence | Words |
|---|---|---|---|---|
| 2026-04-29 | New York Times Names André 3000, Lucinda Williams and Smokey Robinson as Greatest Living American Songwriters More than 250 music insiders and six New York Times critics weighed in on who defines the new American songbook. New York Times published the unranked list that included André 3000 of Outkast, Lucinda Williams and Smokey Robinson. Read their excerpts below. ANDRÉ 3000/OUTKAST A world-warping career started with […] | title | medium | 2,052 |
“Matched by” and the confidence are carried through from the source extraction rather than flattened: a tag or tag+title match is high confidence, a title-only match is medium or low. A mention is not a transaction.
Associated repertoire (SPEC §22 category C)
No playlist embed
No Spotify playlist is embedded on this artist's page. 108 of 178 artists have one.
Identity and aliases
| Alias | Type | Confidence | Status | Method |
|---|---|---|---|---|
| Lucinda Williams | source spelling | high | accepted | verbatim name as published in the Primary Wave artist directory |
A candidate alias is not used for matching until a reviewer accepts it. SPEC §12 forbids automatically merging low-confidence matches.