
Ryan Linvill
Rights position
| Company | Relationship | Ownership classification | Status | Verification | Source |
|---|---|---|---|---|---|
| Primary Wave Music | listed in artist directory | artist association only | current | verified | directory page |
“Artist association only” is the accurate classification for a directory listing. No composition or recording of this artist has a documented Primary Wave publishing or master ownership interest in the supplied dataset, and SPEC §10 forbids inferring one from the relationship.
Biography
Ryan Linvill (LA) is a talented multi-instrumentalist, producer, and writer who spent years working closely with Dan Nigro after leaving Berklee. In 2021, Ryan supported Olivia Rodrigo’s iconic SOUR by playing synth, drums, bass, flute, sax, and acoustic guitar, earning credits for engineering, programming, and additional production on six songs including “Déjà Vu,” “Brutal,” “Traitor,” “Good 4 U,” “Hope Ur Ok,” and “Favorite Crime.” In 2023, Ryan was brought back in to produce two songs from her follow-up album GUTS – “logical” and “the grudge.” Recently, Ryan co-produced Dermot Kennedy’s songs “Better Days , ” “Divide” and “Dreamer.” He also co-produced Conan Gray’s “The Exit” and played on six other songs including “Astronomy” and “People Watching” Ryan enjoyed producing Tom Grennan’s “How Does It Feel” “Freya Ridings’ “Wolves,” Tai Verdes’ “Solamente” and “LAst dAy oN EaRTh,” Tyga’s viral hit “Bopz Goin Brazy” Gayle’s “God Has A Sense of Humor” Henry Moodie’s “drunk text” and Chappell Roan’s “Casual.”
Short biography only; no full biography is published for this artist.
Digital profiles and identifiers
| Scheme | Value | Confidence |
|---|---|---|
| https://www.instagram.com/ryanlinvill/ | high | |
| Publisher profile | https://primarywave.com/artists/ryan-linvill/ | high |
| Spotify artist | https://open.spotify.com/playlist/09sZO3OPtHCPvlEmJaOG1T?si=b75fc7836d1849a3 | high |
| Spotify playlist | 09sZO3OPtHCPvlEmJaOG1T | high |
No MusicBrainz, Discogs, IPI, ISWC or ISRC identifier is present for any artist in this dataset. Those schemes exist in the schema and are unpopulated.
News mentions 1 post
| Date | Title | Matched by | Confidence | Words |
|---|---|---|---|---|
| 2024-11-08 | 2025 Grammy Nominations! The 2025 Grammy nominations have been announced – Congratulations to all the Primary Wave artists and projects who have been nominated! See the list of Primary Wave nominations below, and the full nominees list on the official Grammy Awards website. “Not Like Us” – Kendrick Lamar (Samples Ray […] | tag | high | 248 |
“Matched by” and the confidence are carried through from the source extraction rather than flattened: a tag or tag+title match is high confidence, a title-only match is medium or low. A mention is not a transaction.
Associated repertoire (SPEC §22 category C)
| Embed | Type | Owner | Tracks in embed | Capture |
|---|---|---|---|---|
| Ryan Linvill | playlist | Primary Wave Music | 100 | truncated at 100 |
This capture was truncated at 100 tracks, so the figures below are a floor and the real playlist is longer. An embed evidences association with this artist. It evidences no ownership, administration or licensing of any recording in it.
| # | Track | Credited artists | Duration |
|---|---|---|---|
| 1 | Casual explicit | Chappell Roan | 3:52 |
| 2 | logical | Olivia Rodrigo | 3:51 |
| 3 | the grudge explicit | Olivia Rodrigo | 3:09 |
| 4 | drunk text | Henry Moodie | 3:07 |
| 5 | The Exit | Conan Gray | 3:41 |
| 6 | Better Days | Dermot Kennedy | 3:18 |
| 7 | Divide | Dermot Kennedy | 3:23 |
| 8 | Dreamer | Dermot Kennedy | 3:01 |
| 9 | The Dinner | ROLE MODEL | 3:08 |
| 10 | THE CINEMA | Erin LeCount | 3:22 |
| 11 | Caterpillar | Florence Road | 3:37 |
| 12 | How Does It Feel | Tom Grennan | 2:23 |
| 13 | last day on earth | Tai Verdes | 2:52 |
| 14 | DEPRESSED explicit | Anne-Marie | 2:18 |
| 15 | Tyin' The Noose explicit | Sawyer Hill | 2:46 |
| 16 | The One That You Call | Mackenzy Mackay | 1:50 |
| 17 | Want You For Life | Mackenzy Mackay | 3:21 |
| 18 | Looking Like That | Mackenzy Mackay | 2:56 |
| 19 | and then there's me | Abby Powledge | 3:12 |
| 20 | Problem Solver | slimdan | 2:49 |
| 21 | Celebrity Lookalikes | slimdan | 3:32 |
| 22 | Wolves | Freya Ridings | 3:30 |
| 23 | Cry In California | Lily Fitts | 3:19 |
| 24 | Closing Time | Asha Banks | 2:49 |
| 25 | Be My Love | Benjamin Steer | 2:26 |
| 26 | Exorcism | Em Beihold | 2:49 |
| 27 | Too Loud (And That's The Way I'm Going Out) | Bea | 2:49 |
| 28 | hurts 2 hate somebody | ELIO | 3:03 |
| 29 | Saturday Night | ELIO | 3:12 |
| 30 | SUPERIMPOSE | ELIO | 3:07 |
| 31 | ONPAUSE | ELIO | 2:57 |
| 32 | Sorority explicit | ELIO | 3:33 |
| 33 | Can I Make You Jealous? | ELIO | 2:44 |
| 34 | Dirty Work (From Hacks Season 3) | King Princess | 3:12 |
| 35 | Bad Breaks and Goodbyes | ROSIE | 3:16 |
| 36 | Solamente explicit | Tai Verdes | 2:14 |
| 37 | Sunset explicit | Tai Verdes | 3:13 |
| 38 | Angeleno Moon | The Fray | 3:32 |
| 39 | Sea Level Drive | The Fray | 3:51 |
| 40 | god has a sense of humor | GAYLE | 2:50 |
| 41 | Bops Goin Brazy explicit | Tyga | 2:08 |
| 42 | i still check your playlists | Abby Powledge | 3:42 |
| 43 | Booty Dancer explicit | Tyga | 2:20 |
| 44 | Way Back | Charlotte Cardin | 2:57 |
| 45 | Good Bad Times | Hinds | 3:18 |
| 46 | Chasing The Wind (From Twisters: The Album) | Lanie Gardner | 2:53 |
| 47 | strangers | Camylio | 2:52 |
| 48 | Fall | Chenayder | 1:52 |
| 49 | Same Vine explicit | slimdan | 2:43 |
| 50 | Forgotten | Beattie | 3:31 |
| 51 | Not The Same | Beattie | 3:39 |
| 52 | Instant Life explicit | Gordi | 3:15 |
| 53 | Already Gone | ELIO | 3:13 |
| 54 | Miss Erotica | Peach PRC | 2:30 |
| 55 | you'll find me | Nathan Archie | 3:09 |
| 56 | Star Eyes | Magdalena Bay | 3:34 |
| 57 | Bloodline | WOODZ | 2:36 |
| 58 | Strawberry Perfume | Chenayder | 1:56 |
| 59 | Oxycontin explicit | Mikey Ferrari | 2:33 |
| 60 | On The Day I Leave | Mikey Ferrari | 3:20 |
| 61 | Montana (Piano) | Mikey Ferrari | 3:24 |
| 62 | Hello Alien | Nathan Day | 3:25 |
| 63 | Tell Me Again | Walter The Producer | 2:31 |
| 64 | Five N' Dime | Mills | 2:52 |
| 65 | Good Stuff | Grace Enger, Jake Minch | 3:04 |
| 66 | jessie | Jake Minch | 3:34 |
| 67 | just be ur friend | Jake Minch | 2:08 |
| 68 | drinking song | Jake Minch | 4:16 |
| 69 | Promise You | NCT 127 | 3:31 |
| 70 | egk | So Many Mountains | 3:24 |
| 71 | Crying Out Loud | So Many Mountains | 3:22 |
| 72 | Favorite One | So Many Mountains | 3:12 |
| 73 | I Still Want You | So Many Mountains | 2:36 |
| 74 | The Long Fuse | So Many Mountains | 3:32 |
| 75 | Cheap Seats | Ripe | 4:28 |
| 76 | Lonely Magician | Ripe | 3:25 |
| 77 | Kill the Switch | Addison Grace | 2:49 |
| 78 | Seven Miles | Kathleen | 3:29 |
| 79 | Dark Side of the Moon explicit | Kathleen | 4:08 |
| 80 | Love Sucks explicit | Annika Wells | 2:34 |
| 81 | I Got 3 | Jack Gray | 3:14 |
| 82 | You Can Run | Jack Gray | 2:41 |
| 83 | One Step Back | Jack Gray | 3:34 |
| 84 | Winter City | Jack Gray | 2:41 |
| 85 | Lifetimes | slimdan | 2:34 |
| 86 | Wimbledon White (acoustic version) | slimdan | 4:22 |
| 87 | When It's Over | slimdan | 2:25 |
| 88 | Nosebleeds (with Devon Again) explicit | slimdan, Devon Again | 3:35 |
| 89 | Don't Fill Up on Bread | slimdan | 0:59 |
| 90 | Foreverish | slimdan | 1:45 |
| 91 | Wimbledon White | slimdan | 4:07 |
| 92 | Undercover Cops | slimdan | 3:38 |
| 93 | Chinchilla Story | slimdan | 3:15 |
| 94 | Undercover Cops (with Lennon Stella) explicit | slimdan, Lennon Stella | 3:37 |
| 95 | Drank on Accutane | slimdan | 3:10 |
| 96 | Nosebleeds explicit | slimdan | 3:35 |
| 97 | Personal Jinx | slimdan | 2:42 |
| 98 | Wienerschnitzel | slimdan | 2:55 |
| 99 | Magazines | slimdan | 3:12 |
| 100 | MVP | slimdan | 3:40 |
No ISRC is held for any of these recordings, and none is linked to an underlying composition, because the dataset contains neither.
Identity and aliases
| Alias | Type | Confidence | Status | Method |
|---|---|---|---|---|
| Ryan Linvill | source spelling | high | accepted | verbatim name as published in the Primary Wave artist directory |
A candidate alias is not used for matching until a reviewer accepts it. SPEC §12 forbids automatically merging low-confidence matches.